Tileyard Education Launches Music Business Summer Camp in Partnership with Billboard UK

Tileyard Education has confirmed the return of its Music Business Summer Camp, produced in collaboration with Billboard U.K.. The course is presented as a concentrated, practical introduction to today’s music industry for emerging artists and early-career professionals.

The virtual programme will run across four consecutive Saturdays — June 6, June 13, June 20 and June 27, 2026 — with daily sessions scheduled from 12:00 p.m. to 4:45 p.m. BST, including a 45‑minute lunch break. Tuition is set at £750 (approximately $999). Applicants must be 18 or older; registrations will be cancelled and refunded if participants do not meet the age requirement.

Tileyard Education is based at Tileyard London, a major independent music hub that houses more than 150 recording studios and over 200 creative businesses. The campus fosters collaboration between artists and industry organisations spanning production, publishing, creative development and technology, and has links with companies and figures such as Focusrite, SoundCloud, Ableton, Noel Gallagher, The Prodigy and Sigala.

The Billboard U.K. partnership pairs Tileyard’s training expertise with one of the music industry’s most widely referenced editorial voices. Organisers say the syllabus will deliver hands‑on workshops and real‑world insight from seasoned international practitioners; a roster of lecturers and guest speakers will be announced prior to the course start date.

Alumni frequently highlight the programme’s practical focus and networking opportunities. Past attendee Chloe Gamble described her experience as “a truly great experience,” noting the chance to learn directly from working professionals and to build connections within the Tileyard community. Jake Lane commented that the programme equipped him with useful legal know‑how he later applied on the job, from drafting contracts to onboarding clients.

Prospective participants can register through Tileyard Education’s official channels. Spaces are limited and placements are allocated on a first‑come, first‑served basis.

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