Fleet Foxes Share New Short Film for “I Am All That I Need / Arroyo Seco / Thumbprint Scar”: Watch

Fleet Foxes’ Robin Pecknold, Pitchfork Music Festival 2018 (<!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cDovL3d3dy5tYXR0bGllZmFuZGVyc29uLmNvbS8="  >Matt Lief Anderson</a><!--/noindex-->)’></div>
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</div><figcaption class="caption visual-header-caption visual-header-caption--news"><span>Fleet Foxes’ Robin Pecknold, Pitchfork Music Festival 2018 (<!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cDovL3d3dy5tYXR0bGllZmFuZGVyc29uLmNvbS8="  >Matt Lief Anderson</a><!--/noindex-->)</span></figcaption></figure>
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<p><!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cHM6Ly9waXRjaGZvcmsuY29tL2FydGlzdHMvNTY1My1mbGVldC1mb3hlcy8="  >Fleet Foxes</a><!--/noindex--> have shared a brief movie for “I Am All That I Need / Arroyo Seco / Thumbprint Scar,” the opening observe on their 2017 document <em><!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cHM6Ly9waXRjaGZvcmsuY29tL3Jldmlld3MvYWxidW1zL2ZsZWV0LWZveGVzLWNyYWNrLXVwLw=="  >Crack-Up</a><!--/noindex--></em>. It’s directed by frontman <!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cHM6Ly9waXRjaGZvcmsuY29tL2FydGlzdHMvMjgwNTAtcm9iaW4tcGVja25vbGQv"  >Robin Pecknold</a><!--/noindex-->’s brother <!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cDovL3NlYW5wZWNrbm9sZC5jb20v"  >Sean Pecknold</a><!--/noindex-->, and made in partnership with <!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cHM6Ly93ZXRyYW5zZmVyLmNvbS8="  >WeTransfer</a><!--/noindex-->. Watch under. In a press launch, Sean Pecknold defined:</p>
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<p>For me, the music encapsulated the themes and emotions of the entire document like an overture; the darkness / lightness, the quick / gradual, the strain between two competing voices and the unpredictable dynamic shifts of tempo and voice. I wished to create a putting visible allegory that felt each intimate and lonely, grand and triumphant.</p>
<p>With the movie I wished to visualise the wrestle inside the music by the story of a fictional character making an attempt to flee from his home and attain an ever elusive legendary place solely to be introduced again to the beginning by the pull of a mysterious pink dice. At the beginning of the movie it’s as if now we have occurred upon a person drained from a repetitive wrestle that has been occurring for weeks, months, even years. There turns into a irritating sense of repetition as he makes an attempt to succeed in these metaphorical finish targets and fails time after time. It’s one thing I can relate to, and hopefully others can too.</p>
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<p>Check out the characteristic interview “<!--noindex--><a target="_blank" rel="nofollow" href="https://se7en.ws/away/aHR0cHM6Ly9waXRjaGZvcmsuY29tL2ZlYXR1cmVzL3Byb2ZpbGUvMTAwODgtbGlmZS1hbmQtZGVhdGgtb24tbWFuaGF0dGFuLWlzbGFuZC1mbGVldC1mb3hlcy1yb2Jpbi1wZWNrbm9sZC1yZXR1cm5zLw=="  >Life and Death on Manhattan Island: Fleet Foxes’ Robin Pecknold Returns</a><!--/noindex-->.”</p>
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<p>Watch Fleet Foxes carry out at Pitchfork Music Festival 2018:</p>
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