Mao Abe has kicked off 2026 with a dual release featuring the tracks “Ding-dong” and “Buddy.” In a recent conversation with Billboard JAPAN, the singer-songwriter delved into the creative process behind these works, specifically highlighting “Ding-dong”—the opening theme for the anime The Invisible Man and His Soon-to-Be Wife—and sharing behind-the-scenes insights into her latest musical direction.
Embracing the Vision of The Invisible Man and His Soon-to-Be Wife
How did you react to being commissioned for the opening theme of this specific series?
When I compose music for an existing property, my priority is to mirror the dedication of the original creators and the fans. Within the condensed 89-second window of an anime opening, I aim to encapsulate the spirit of the work perfectly. For me, the satisfaction doesn’t just come from the prestige of the “tie-up,” but from the realization that I’ve crafted a piece that genuinely belongs within that world. It isn’t about being flamboyant; it’s about artistic synergy.
The story explores a unique romance between an invisible man and a blind woman. How did that influence your writing?
The premise is deeply moving. The protagonist suffers from the trauma of being unseen, yet his invisibility is irrelevant to a partner who perceives the world through sound and scent. This “miraculous pairing” represents the profound joy of finding a sanctuary where you can truly be yourself. I wanted the song to celebrate the deepening bonds of any relationship where two people find mutual acceptance.
A Nostalgic Turn Toward Country Music
“Ding-dong” carries a gentle, pastoral country vibe. What led you to this specific genre?
I wrote this track back in 2024 during a period when I was immersed in country music. When I looked at the beautiful, soft coloring of the original manga covers, neither J-pop nor rock felt appropriate. I was searching for an “antique” or nostalgic atmosphere, and country music provided the perfect canvas for that sentiment.
The motif of a ringing bell is central to the song. What is the significance behind that?
It’s a play on two ideas. First, there is the romantic notion that a bell chimes when you encounter your soulmate. Second, it refers to the 5:00 p.m. chimes heard across Japan, signaling the end of the workday. In the story, the characters often meet for dates after work. I merged these concepts—the literal bell that says “it’s time to go home” and the metaphorical bell of finding the person who feels like home.
Visualizing the Music in Hakodate
The music video features you in a variety of charming aesthetics. What was the filming experience like?
We shot in Hakodate over two freezing days in November, starting at 3:00 a.m. The director wanted to capture the feeling of preparation—choosing outfits for a date or heading home to a loved one. We moved away from tight close-ups, opting instead for wide shots of lakes and crisp nature to match the anime’s clean aesthetic. Seeing the final result, the shivering was definitely worth it.
Have you seen your music paired with the animation yet?
I have, and it was incredibly moving. There is a lovely coincidence where the shifting backgrounds in the anime credits mirror a scene in my music video. It felt like a subtle, unplanned connection that made the collaboration feel even more special. I hope international fans enjoy it; I’d love for people to realize that Japan has a vibrant country music scene as well.
Exploring the Vulnerability of “Buddy”
Your next release, “Buddy,” arrives on February 18. What is the narrative behind this track?
I envisioned a protagonist in late elementary school—that age where you start to overthink friendships. It’s about a boy who plays with someone every day but suddenly finds himself wondering, “I consider him my best friend, but does he feel the same way?” It’s a song about that quiet, anxious hope. He isn’t demanding an answer; he’s just looking at the sky, feeling a bit insecure, but ultimately excited to play again tomorrow. I really connected with that reserved, modest perspective.
Looking Ahead to a Dynamic 2026
With two major releases already underway, what does the rest of the year look like for you?
The last few years have been a period of intense personal and spiritual transformation. I feel I have finally reached a state of clarity and self-acceptance. I’m eager to return to the stage and perform both my new material and my classic tracks with this renewed perspective. This year will be defined by honesty and a more active, dynamic approach to my craft.
—Interview by Atsuo Nagahori, originally published on Billboard Japan
