Margena A. Christian set out to illuminate the legacy of an overlooked musical powerhouse with her new biography, It’s No Wonder: The Life and Times of Motown’s Legendary Songwriter Sylvia Moy. However, the book’s release has hit a discordant note with the late songwriter’s estate.
Sylvia Moy, a 2017 Songwriters Hall of Fame inductee who passed away in 2017, is widely credited with revitalizing Stevie Wonder’s career during a critical slump. By co-writing the 1966 smash “Uptight (Everything’s Alright),” she secured Wonder’s place on the charts and went on to co-author timeless hits such as “My Cherie Amour,” “I Was Made to Love Her,” and Marvin Gaye’s “It Takes Two.”
Beyond her songwriting prowess, Christian’s research suggests Moy was a trailblazing producer who was systematically denied credit by Motown’s male-led hierarchy. The biography claims Moy played an uncredited role in producing iconic tracks like “Signed, Sealed, Delivered I’m Yours” and “Ain’t Too Proud to Beg.”
“She was the first woman to bridge the gap between writing and producing at the label, yet she never received the formal recognition she deserved,” Christian told Billboard. A Chicago-based journalist formerly with Jet and Ebony, Christian became fascinated by Moy’s story during the pandemic. “I had to dig deep to find the truth, and the evidence is there for everyone to see.”
To craft the narrative, Christian interviewed a “who’s who” of Motown legends, including Smokey Robinson, Martha Reeves, and Eddie Holland. While she initially had the blessing of Moy’s family, a significant rift emerged as the book approached publication.
Celeste Moy, a music industry attorney and co-manager of her sister’s estate, alleges that Christian breached a written agreement established in 2023. According to the family, the deal promised them major contributor status and the right to review the manuscript in exchange for access to private archives and personal photos. Celeste Moy claims the family was blindsided by the final publication.
“We treated her like family and shared things no one else had access to,” Celeste Moy stated. “We feel deeply betrayed. We weren’t notified about the publishing deal and didn’t see the book until two weeks before it launched.” As a result, the estate is currently withholding its support for the biography while exploring legal options.
In response, Christian maintains she has acted in good faith. Her attorney, John Kendall, asserts that the estate was paid for the use of family photographs and disputes the claim that a manuscript review was required by their contract. Kendall suggested that additional compensation would be evaluated based on the book’s commercial performance.
“There is no legal basis for these assertions,” Kendall remarked. “Ms. Christian has been transparent throughout the process. Her only goal is to ensure Sylvia Moy finally receives the recognition she earned as a pioneer in the music industry.”
