(Photo: Gilbert Flores/Variety)
Good Charlotte frontman Joel Madden recently confessed that there is one quintessential Australian rock anthem he deeply admires—and it belongs to the legendary Silverchair.
During an appearance on Triple M’s Homegrown with Matty O podcast, Madden was invited to select a song from Down Under that he wished he had composed himself. While his list of contenders was extensive, he ultimately singled out “Israel’s Son,” the heavy, seminal 1995 track from Silverchair’s debut album, Frogstomp.
“‘Tomorrow’ would certainly be on that list,” Madden remarked, referencing another of the band’s massive hits. He proceeded to praise the songwriting prowess of frontman Daniel Johns, highlighting tracks like “Straight Lines,” “Slave,” and “Suicidal Dreams.” Madden noted that compiling a definitive list of favorite Australian tracks would be a massive undertaking given the country’s rich musical heritage.
The vocalist also expressed admiration for Gotye’s global phenomenon “Somebody That I Used to Know” and the timeless catalog of Crowded House. However, he returned to his primary choice: “If I had to pick just one, I’m going with ‘Israel’s Son,’” he said. “I’d love to have a conversation with Daniel. He possesses such a unique perspective and has always remained fiercely authentic.”
Released in 1995, “Israel’s Son” served as a cornerstone for Silverchair’s early identity, helping propel Frogstomp to international prominence. The album achieved a significant milestone by reaching No. 9 on the Billboard 200, representing a rare and impressive crossover success for an Australian rock group in the competitive post-grunge era of the United States.
Madden’s reflections come as Good Charlotte prepares for their upcoming Australian tour. During the interview, he also touched upon the band’s eighth studio record and how the dynamics of life on the road have shifted over the decades. Throughout the discussion, he reaffirmed his long-standing respect for the Australian music scene, describing the nation as being “at the vanguard of musical innovation.”
Good Charlotte is no stranger to chart success themselves, having secured multiple top 10 positions on the Billboard 200. Their 2004 release, The Chronicles of Life and Death, climbed to No. 3, while their definitive 2002 breakout, The Young and the Hopeless, peaked at No. 7.
