On August 8th, Shun Nakanishi unveiled his solo debut single, “Rewind,” on all major streaming services. The track represents the first solo outing from the producer and DJ who rose to prominence on Netflix’s international dating series Boyfriend. “Rewind” navigates the depths of heartbreak, exploring themes of sorrow, regret, and the lingering “what ifs.”
Also known as Haze Glitch in his electronic projects, Nakanishi sat down with Billboard Japan to discuss his decision to embark on a solo path under his birth name. He shares the narrative behind “Rewind,” traces his musical beginnings, and outlines the artistic identity he’s determined to cultivate.
How did audiences react to your stint on Boyfriend when it premiered last July?
It was surreal. During a recent trip to Thailand, fans recognized me more there than in Japan. Realizing that strangers knew my face was thrilling but also a bit unnerving.
That sounds intense—were you nervous?
Absolutely. I’d envisioned keeping a low profile, so being approached constantly was unexpected. [Laughs]
You and Dai Nakai released the ballad “Last Person” earlier this year under the name DaiShun. How would you characterize that song?
It was the first time I channeled my feelings for Dai into lyrics, and I’m proud of the authenticity. Initially, I hesitated to sing, but I wanted to connect more directly with listeners.
What made you change your mind about singing?
I used to dislike my own voice after trying karaoke recordings. Over time I realized that as a performer, singing could reach more people than producing alone.
How was layering your vocals with Dai’s in the studio?
I still have work to do to feel confident, but I loved the heartfelt lyrics and was happy to deliver them myself. I’m now crafting a solo “Last Person Part 2” to explore the story from my perspective.
With your solo launch as Shun Nakanishi, how will this differ from Haze Glitch?
Haze Glitch leans toward experimental electronic, whereas Shun Nakanishi blends cinematic electronic with pop sensibilities. It’s an avenue to reach broader audiences without abandoning my roots.
What’s your vision for yourself as an artist?
I’m inspired by film scores—my goal is to compose tracks that evoke cinematic imagery, like short films in song form, timeless works unfettered by fleeting trends.
Which musicians have shaped your sound?
I draw heavily from Hikaru Utada’s recent piano-and-string compositions and Cashmere Cat’s atmospheric productions. I also enjoy the storytelling of Taylor Swift and Rihanna, and often sing emotive ballads like AI’s “Story” and Mika Nakashima’s “Yuki no Hana” at karaoke.
Why did you choose a breakup song for your debut?
Breakups resonate deeply for me; heartbreak feels absolute, like the other person ceases to exist. That intensity drove me to craft “Rewind” as a farewell anthem.
How did “Rewind” evolve musically?
Originally an instrumental for Haze Glitch, it began with a piano introduction before building into a trance-infused drop. I added vocals to heighten its emotional impact and give it a unique signature.
Can you describe the story you imagine for the song’s visuals?
In my mind, it opens with someone weeping on a rooftop. After an argument, the other person storms off, only to suffer a fatal accident. The protagonist’s sorrow and flashes of happier memories underscore the song’s regretful core.
What inspired the title “Rewind”?
It symbolizes the longing for a way to reverse time. The chorus drop represents pressing a button that stirs vivid recollections of past joys—our own personal rewind.
How did recording your vocals for “Rewind” feel?
It was challenging being my first solo vocal performance, but I’m growing to appreciate my voice more with each session and gaining confidence.
Are you planning more releases before an album?
I’ll drop a new single each month and aim to compile them into a full-length album around February next year, keeping listeners engaged with fresh material.
What are your ambitions as Shun Nakanishi?
I aspire to top the Billboard charts globally and branch into anime theme songs. Imagining my music accompanying series like The Summer Hikaru Died or Tacopi’s Original Sin excites me.
Any final words for your international fans?
I’m currently touring fan events worldwide and dream of a full-scale solo world tour. As anime continues to introduce audiences to Japanese music, I hope to share new J-pop creations with fans everywhere.
Interview by Atsuo Nagahori, originally published in Billboard Japan
