Alison Wonderland has always navigated extremes: soaring confidence, quiet doubt, and the creative tension between them. On Ghost World — her fourth solo studio album, released December 5, 2025 — she intentionally leans into energy and assertiveness, delivering a record that feels like a reclamation of voice.

Where her previous collection, Loner (2022), was inward and contemplative, Ghost World is outward-facing and urgent. “This felt like starting anew for me,” Wonderland says, reflecting on the album’s urgency and renewed momentum. She describes the sessions as a period in which she rediscovered the extroverted spark that drives her live performances.

Since Loner’s arrival — which peaked at No. 3 on Billboard’s Dance/Electronic Albums chart and launched at No. 9 on the ARIA Chart — Wonderland (Alexandra Sholler) has kept busy. She founded FMU Records, revived her industrial-leaning project Whyte Fang with the full-length Genesis, and navigated significant personal challenges.

In December 2024 she suffered a miscarriage that prompted several tour cancellations and a difficult period of public scrutiny. She returned to Australia to regroup and, by November 2025, welcomed a second son — a development that brought renewed joy and perspective.

Originally scheduled for October 15, Ghost World’s release was postponed to December due to manufacturing delays affecting vinyl, merch, and other physical components. The extra time appears to have paid off: the album spans 14 tracks and includes previously issued singles such as “Get Started,” “Again? F—.,” “iwannaliveinadream,” and “Heaven” (featuring Ninajirachi).

Wonderland says Ghost World is her attempt to externalize inner shifts rather than wallow in them. She framed the record as a search for belonging: where she fits, how she thrives, and how to remain engaged with her art while evolving as a person and performer. “I wanted to feel excited about what I was making again,” she explains, noting that the album was a deliberate move away from isolation toward connection and spectacle.

Splitting time between projects helped reignite her creative core. Working as Whyte Fang and collaborating with others pulled her back to fundamentals and influence — a creative reset that led to more collaborative sessions and a stronger appreciation for women in her creative circle.

Ghost World features an array of collaborators, including Nina Wilson (known professionally as Ninajirachi), DJ Dave, and Erick The Architect. Wonderland produced much of the album alongside Dylan Ragland, MEMBA, and QUIX. Mixing credits include Tom Norris and Tristan Hoogland, with mastering by Dale Becker.

Onstage, Wonderland remains a force: she has sold more than 800,000 headline tickets across U.S. tours, headlined Coachella in 2018, and has repeatedly drawn crowds to the “Temple of Wonderland” at Red Rocks Amphitheatre. She plans a major touring cycle in support of Ghost World next year and says the new live run will reflect the ambition and polish she poured into the record.

“I push myself because I want the work to land the way I intend,” she says. That drive — the insistence on giving everything to a project — is the engine behind Ghost World’s bold, kinetic sound.

For tour dates and more information, visit Alison Wonderland’s official site.

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