The past year in electronic music was a whirlwind of the surreal and the spectacular. The momentum truly ignited in the final days of 2024 when Anyma brought his digital odyssey to the Las Vegas Sphere, utilizing the venue’s groundbreaking architecture to elevate melodic techno to a global spectacle. It was a moment that didn’t just showcase a producer at his zenith; it redefined what a live electronic performance could look like in the most advanced arena on earth.
<p>By late May, the industry witnessed two starkly different fates for the world’s most famous dance floors. In Ibiza, the cutting-edge [UNVRS] opened its doors, setting a new benchmark for high-concept, high-production nightlife on the White Isle. Conversely, across the Atlantic, the Brooklyn Mirage remained silent. Despite a highly publicized and costly renovation, the venue was hamstrung by persistent zoning disputes, eventually filing for demolition permits in October—a somber conclusion for a space that once defined the New York summer.</p>
<p>The summer also brought a moment of collective breath-holding on July 16 in Boom, Belgium. Tomorrowland’s fantastical main stage was engulfed in flames just 24 hours before the festival was set to commence. In an extraordinary display of industry grit, organizers and crews worked through the night to erect a functional alternative, ensuring the festival opened on schedule to the relief and applause of the global dance community.</p>
<p>Through it all, the rhythm remained unbroken. Clubs pulsed, festivals thrived, and innovators pushed the boundaries of sustainability and tour production. From the resurgence of legendary icons to the meteoric rise of bedroom producers, the following list represents the tracks that soundtracked our year—the 50 definitive dance anthems of 2025.</p>
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<h2>Christine and the Queens and Cerrone, “Catching Feelings”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/Christine-and-the-Queens-and-Cerrone-Catching-Feelings-billboard-1200.jpg?w=300" alt="Cerrone and Christine and the Queens">
<figcaption>Credit: Courtesy</figcaption>
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<p>It is hard to imagine a more seamless intergenerational synergy than the pairing of disco architect Marc Cerrone and the avant-pop chameleon Rahim Redcar. Separated by decades but united by an obsession with groove, their collaboration “Catching Feelings” is a masterclass in sophisticated disco. With its commanding percussion and pulsing synth bass, Redcar’s vocals invite the listener to surrender to the rhythm: “Don’t be afraid of catching feelings with me.” It is a seductive, high-fashion heater that makes the winter chill feel like a distant memory. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Blawan, “NOS”</h2>
<p>If you were to fuse the hyphy energy of mid-2000s Bay Area rap with the glitchy, cerebral textures of Aphex Twin, the result would likely mirror the sonic chaos of “NOS.” As the standout single from his *SickElixir* LP, English producer Blawan dives deep into experimental territory. The track is a visceral sludge of distorted synths, growling low-ends, and frantic whispers. Conceived during a period of personal reflection on trauma, “NOS” is raw, evocative, and unapologetically abrasive. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>DJ E-Clyps, “Werk”</h2>
<p>DJ E-Clyps has been a fixture in the scene for over a decade, but 2025 saw him operating with a renewed sense of playfulness. On “Werk,” a highlight from his *HR Violation* album, he reimagines the "Three Little Pigs" through the lens of modern club culture. The production is brilliantly austere, relying on a sharp, singular synth stab and rhythmic handclaps. It’s the kind of confident, stripped-back composition that only a seasoned veteran could execute so effectively. — <em>ZEL MCCARTHY</em></p>
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<h2>Dimension & Karen Harding, “Guardian Angel”</h2>
<p>There is a stadium-sized vulnerability at the heart of “Guardian Angel.” Driven by Karen Harding’s soaring, anthemic hook, the track utilizes Dimension’s polished drum & bass production to deliver a powerful message of resilience. It echoes the euphoric, tear-jerking peaks of the classic EDM era while feeling firmly rooted in 2025’s high-gloss aesthetic. It’s a track that treats hope not just as a feeling, but as a shield. — <em>RACHEL NAROZNIAK</em></p>
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<h2>Chaos in the CBD feat. Nathan Haines, “Love Language”</h2>
<p>While jazz has always been an ingredient in the Chaos in the CBD sound, “Love Language” brings it to the forefront with elegance. Featured on their debut LP, *A Deeper Life*, the track reunites the New Zealand duo with saxophonist Nathan Haines. The result is a lush, soulful deep-house journey where twinkling piano riffs and warm saxophone swirls create an atmosphere of quiet intimacy. It’s a track that doesn’t demand attention but earns it through its patient, lingering groove. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>Hamdi & Visages, “Lamp”</h2>
<p>Hamdi has solidified his position as a cornerstone of modern bass music, and “Lamp” serves as a testament to his prowess. This isn’t the aggressive, "drop-heavy" dubstep of yesteryear; instead, it offers a psychedelic, low-end wobble that feels both heady and hypnotic. It’s music designed for the "eyes-closed" dancers, showcasing the English-Tunisian artist's ability to manipulate sub-frequencies with surgical precision. — <em>KATIE BAIN</em></p>
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<h2>PinkPantheress & Mochakk, “Noises”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/PinkPantheress-Noises-Mochakk-billboard-1200.jpg?w=300" alt="PinkPantheress and Mochakk">
<figcaption>Credit: Courtesy</figcaption>
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<p>On the *Fancy Some More?* mixtape, Brazilian house phenom Mochakk takes PinkPantheress’s rapid-fire drum ‘n’ bass snippet and expands it into a sprawling, six-minute garage epic. By slowing down her ethereal vocals, Mochakk emphasizes the song's inherent paranoia, eventually pivoting into a bouncy acid-house finale. It’s a transformation that encourages the listener to stop running from their anxieties and start dancing with them. — <em>ANA YGLESIAS</em></p>
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<h2>Hayla & Nelly Furtado, “Faded”</h2>
<p>Nelly Furtado continues her dancefloor renaissance by teaming up with Hayla for the powerhouse duet “Faded.” Produced by the British duo Punctual, the track features a driving, relentless beat that provides the perfect canvas for two of the genre’s most distinct voices to intertwine. It’s an exploration of the lingering ghost of a crush, delivered with a scale and intensity that reminds us of the timeless power of the female vocal in electronic music. — <em>A.Y.</em></p>
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<h2>horsegiirL, “material hor$e”</h2>
<p>Beneath the equine mask and the playful irony of the *v.i.p.-very important pony* EP lies a genuinely infectious piece of happy-hardcore-inspired pop. On “material hor$e,” the mysterious Berlin DJ contemplates the trappings of fame over a galloping, high-BPM melody. It’s a track that successfully bridged the gap between internet subculture and the main stage of Coachella, proving that horsegiirL’s identity is far less important than her ability to command a crowd. — <em>Z.M.</em></p>
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<h2>Jazzy, “Closer to the Floor”</h2>
<p>Irish breakout star Jazzy maintains her momentum with “Closer to the Floor,” an Afro-house gem that samples the 1990 classic “What Would We Do.” Collaborating with Ankhoï and Punctual, Jazzy delivers a vocal performance that is both commanding and seductive. The track simmers with a refined restraint, allowing Jazzy’s shimmery tone to take center stage and cementing her status as one of the most vital new voices in the global scene. — <em>KATIE BAIN</em></p>
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<h2>SG Lewis, “Back Of My Mind”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/Back-Of-My-Mind-SG-Lewis-billboard-1200.jpg?w=300" alt="SG Lewis">
<figcaption>Credit: Courtesy</figcaption>
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<p>From his fourth album *Anemoia*, “Back of My Mind” finds SG Lewis exploring the textures of memory and nostalgia. The track leans into trance-inspired production while maintaining the soulful, dulcet vocals that have become his signature. It’s a euphoric, upbeat composition that feels like a collective sigh of relief on the dance floor, proving once again that Lewis has an unparalleled gift for blending electronic precision with genuine human emotion. — <em>RACHEL NAROZNIAK</em></p>
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<h2>Sofia Kourtesis, “Corazón”</h2>
<p>Peruvian producer Sofia Kourtesis captures the ache of distance on “Corazón,” the standout from her *Volver* EP. Bookended by airport announcements, the track utilizes lush house rhythms to frame lyrics about the anxiety of travel and the yearning for connection. As she wails “separate” over a soaring chorus, the music feels like a heart in flight—a beautiful, rhythmic attempt to bridge the gap between two people. — <em>KATIE BAIN</em></p>
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<h2>Indira Paganotto & Nile Rodgers, “Arte Come Amante”</h2>
<p>This unexpected collaboration between Spanish psytrance star Indira Paganotto and the legendary Nile Rodgers is a chaotic, brilliant melting pot of styles. Born from a chance meeting in Miami, the track weaves together Spanish guitar, techno rhythms, and a blistering guitar solo from Rodgers himself. It’s a high-energy experiment that proves that when two masters of their craft get in a room, the boundaries of genre simply disappear. — <em>KATIE BAIN</em></p>
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<h2>Honey Dijon & Chlöe, “The Nightlife”</h2>
<p>Honey Dijon continues her mission to bridge the underground and the mainstream with “The Nightlife.” Featuring the sultry vocals of Chlöe Bailey, the track is a pulsating tribute to the sanctuary of the club. Bailey interpolates Kim English’s 1994 house classic over Dijon’s acid-flecked, shadowy groove, creating a bridge between the genre’s foundational roots and its pop-infused future. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>Moon Boots, “Sunshine”</h2>
<p>Moon Boots has built a career on capturing the essence of an eternal summer. With “Sunshine,” he teams up with Lyric Jones to deliver a track that radiates melodic warmth. Featuring his signature funk-infused basslines and Jones’s sweet, lovestruck delivery, the song feels like an instant classic—a carefree, joyous anthem designed to lift the spirit and clear the clouds. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>2hollis, “flash”</h2>
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<figcaption>Credit: Courtesy</figcaption>
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<p>“Flash” is a strobe-lit descent into the intoxicating and terrifying world of sudden fame. 2hollis blends sex, danger, and paranoia over a beat that accelerates into a chaotic explosion of bleeping synths and industrial percussion. It’s a transfixing banger that captures the frantic energy of a life lived under the constant glare of a lens. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Myd, “Song for You”</h2>
<p>French producer Myd strikes gold with “Song for You,” a track that samples 80s funk outfit Popcorn to create a shimmering, pop-infused house confection. Its skipping groove and infectious vocal loop are reminiscent of Stardust’s "Music Sounds Better With You," offering a pitch-perfect slice of French Touch for a new generation of listeners. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Sam Gellaitry, “Start Up a Rumour”</h2>
<p>Sam Gellaitry continues his streak of producing some of the most innovative dance-pop in the world. On “Start Up a Rumour,” he explores the complexities of relationship dynamics over neon-soaked synths and a buoyant rhythm. It’s a track that manages to be both intellectually curious and physically irresistible, anchored by Gellaitry’s impeccably smooth vocal delivery. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Calvin Harris & Jessie Reyez, “Ocean”</h2>
<p>While the lore of this track suggests it was originally intended for Miley Cyrus, Jessie Reyez proves to be the perfect substitute. On “Ocean,” Calvin Harris pivots toward a moodier, guitar-flecked sound that explores his softer side. The minor-key production and Reyez’s emotive vocals create a sense of melancholic beauty that lingers long after the beat drops. — <em>KATIE BAIN</em></p>
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<h2>Blond:ish & Black Circle, “Higher”</h2>
<p>Blond:ish has traded the "after-hours" darkness of her past for a sound that is focused entirely on elevation. “Higher” is the sonic manifestation of this shift: featuring staccato strings and a heart-pounding build that culminates in a euphoric explosion of percussion. It’s a track designed to help the listener "live their best life" through the transformative power of the dance floor. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>Lyric, “Here for the Party”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/Lyric-Here-for-the-Party-billboard-1200.jpg?w=300" alt="Lyric">
<figcaption>Credit: Courtesy</figcaption>
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<p>By cleverly looping an obscure video game soundtrack sample and layering it with Ludacris references, Lyric creates a techno track that refuses to take itself too seriously while remaining a formidable club weapon. “Here For The Party” is a masterclass in tension and release, driven by a hypnotic bassline that compels the listener to the center of the floor. — <em>ZEL MCCARTHY</em></p>
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<h2>Mau P, “Like I Like It”</h2>
<p>Mau P defined the sound of the 2025 summer with this squelchy, acid-house heater. Sampling a 1985 disco track, he increases the tempo and adds a layer of spooky, late-night tension that makes “Like I Like It” feel both sexy and slightly dangerous. It was a key building block in a year that saw the Dutch producer become one of the most recognizable faces in the global dance landscape. — <em>KATIE BAIN</em></p>
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<h2>Sudan Archives, “A Bug’s Life”</h2>
<p>Sudan Archives successfully merges her identity as an avant-garde violinist with her skills as a dance producer on “A Bug’s Life.” Featuring 90s-house-inspired piano chords and a thumping 808 bass, the track is a witty celebration of independence. The addition of an original violin countermelody adds a layer of sophistication that sets it apart from typical club fare. — <em>ZEL MCCARTHY</em></p>
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<h2>Prospa feat. Kosmo Kint, “Love Songs”</h2>
<p>British duo Prospa deliver a masterclass in retro-tinged house with “Love Songs.” Kosmo Kint’s velvet vocals provide a warm contrast to the track’s polished, rhythmic drive. It’s a track that explores the exhaustion of a long night out with a pulse that makes it impossible to leave the floor—moody, jaded, and undeniably sexy. — <em>RACHEL NAROZNIAK</em></p>
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<h2>Kettama, DJ Heartstring, KLP, “If You Want My Heart”</h2>
<p>From Kettama’s debut album *Archangel*, “If U Want My Heart” is a high-energy, trance-forward anthem that radiates unbridled emotion. The track’s bubbling production and abstract lyrical stream of consciousness create an atmosphere of pure euphoria, encouraging listeners to shed their restraints and embrace the moment. — <em>RACHEL NAROZNIAK</em></p>
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<h2>Soulwax, “All Systems Are Lying”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/Soulwax-All-Systems-Are-Lying-billboard-1200.jpg?w=300" alt="Soulwax">
<figcaption>Credit: Courtesy</figcaption>
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<p>In their first full-length project in over two decades, Soulwax takes on the modern existential crisis. “All Systems Are Lying” is a danceable critique of our post-truth era, utilizing wobbly synths and a robotic vocal mantra to suggest that the only reality worth trusting is the one experienced on the dance floor with your friends. — <em>KAT BEIN</em></p>
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<h2>Barry Can’t Swim, “About to Begin”</h2>
<p>Scottish producer Barry Can’t Swim delivers a high-energy centerpiece for his *Loner* album with “About to Begin.” The track blends slapping drums and belching bass with a clever allusion to the legendary “Think” break. It’s a high-octane jam that feels like the start of something massive, leaving the listener eagerly awaiting the main event. — <em>ANDREW UNTERBERGER</em></p>
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<h2>John Summit feat. Cloves, “Focus”</h2>
<p>John Summit began 2025 with "Focus," a track that arguably represents his most sophisticated songwriting to date. A collaboration with vocalist Cloves, the song blends indie-electronic sensibilities with tech-house energy. Its undercurrent of melancholy and lush string arrangements make it a standout in Summit’s catalog, rewarding repeated listens. — <em>KATIE BAIN</em></p>
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<h2>Alok & Kylie Minogue, “Last Night I Dreamt I Fell in Love”</h2>
<p>Kylie Minogue surprised fans with this house collaboration with Brazilian producer Alok. Debuted during her Tension World Tour, the track is a compact, two-minute ode to dance floor romance. It showcases a rare pop sensibility from Alok, elevated by Minogue’s signature *joie de vivre* and her enduring status as a disco icon. — <em>ZEL MCCARTHY</em></p>
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<h2>Charlotte de Witte feat. Comma Dee, “The Heads That Know”</h2>
<p>Featuring an incantatory rap from Welsh artist Comma Dee, “The Heads That Know” is one of the coolest tracks from Charlotte de Witte’s debut album. Built on a rolling bass and dry percussion, the Belgian producer clears away the clutter to let the kick drum lead the way. It’s a hypnotic, accessible exercise in techno precision. — <em>KATIE BAIN</em></p>
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<h2>Four Tet, “Into Dust (Still Falling)”</h2>
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<figcaption>Credit: Courtesy</figcaption>
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<p>Four Tet proves his mastery of the "ethereal vs. primal" dynamic by bringing Mazzy Star’s "Into Dust" to the club. He honors the 1993 original’s wispy vocals while undergirding them with pounding percussion and twinkling synths. It’s an entrancing reimagining that bridges the gap between folktronica and the dance floor. — <em>E.R.B.</em></p>
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<h2>Skream & Partiboi69, “Pound Town”</h2>
<p>Romance takes a backseat on this tongue-in-cheek heater from Skream and Partiboi69. “Pound Town” leans into Eurotrash energy while utilizing modern production techniques to keep things grounded. It’s a track that reminds the community not to take itself too seriously, even as it demonstrates the immense studio talent of its creators. — <em>KATIE BAIN</em></p>
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<h2>Kaytranada, “Don’t Worry Babe/I Got U Babe”</h2>
<p>From the first three seconds, Kaytranada’s sound design commands attention. “Don’t Worry Babe/I Got U Babe” is the sonic equivalent of a warm hug, combining affirmations with a sunlight-soaked rhythm. It’s a track that oozes confidence and swagger, reminding the listener that in Kaytra’s world, there is no reason for concern. — <em>KATIE BAIN</em></p>
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<h2>Jamie xx & Erykah Badu, “F.U.”</h2>
<p>Born from a technical glitch during a 2019 festival set, “F.U.” captures Erykah Badu’s melodic frustration over a backing track concocted by Jamie xx. It’s a rare club record for the R&B queen, where her rhythmic chanting of the titular phrase becomes an anthemic, empowering moment for the dance floor. — <em>ZEL MCCARTHY</em></p>
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<h2>Tourist feat. Juliana Barwick “Invisible”</h2>
<p>Tourist explores the philosophy of music as an invisible art form on this collaboration with Juliana Barwick. Over five and a half minutes, the track builds into a sprawling trance production that is both physically moving and emotionally potent. It’s a beautiful reminder that music can get "deep under your skin" without ever being seen. — <em>KATIE BAIN</em></p>
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<h2>Sammy Virji, “I Guess We’re Not the Same”</h2>
<p>U.K. garage breakout Sammy Virji delivered one of the year’s most anticipated releases with this heart-racing thumper. Featuring a ghostly vocal loop and a hopscotching beat, the track manages to be both unsettling and deeply satisfying—a minimalist masterclass in dance-pop emotion. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Amelie Lens & Charlotte de Witte, “One Mind”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/12/Amelie-Lens-and-Charlotte-de-Witte-One-Mind-billboard-1200.jpg?w=300" alt="Amelie Lens and Charlotte de Witte">
<figcaption>Credit: Courtesy</figcaption>
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<p>Belgian techno titans Charlotte de Witte and Amelie Lens unite for "One Mind," a track that celebrates their shared love for moody, peak-time bangers. Mixing de Witte’s trademark 4/4 kick with Lens’s signature synth loops and acid flourishes, the track is a testament to their joint dominance of the global techno scene. — <em>A.Y.</em></p>
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<h2>Tame Impala, “End Of Summer”</h2>
<p>Kevin Parker’s perfectionism pays off on “End of Summer,” the lead single from his *Deadbeat* album. The track builds tension through Parker’s moaning vocals and a pulsing beat before exploding into a cathartic finale of laser synths. It’s a reminder that no matter how long the wait, Tame Impala always delivers. — <em>ANDREW UNTERBERGER</em></p>
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<h2>Dom Dolla, “No Room for a Saint”</h2>
<p>Featured on the *F1 The Movie* soundtrack, Dom Dolla’s late-summer anthem is a relentless exercise in electro energy. It maintains a cool, synth-pop sensibility while incorporating the acid-house flourishes that have become a hallmark of the Australian producer’s toolkit. — <em>KATIE BAIN</em></p>
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<h2>Anyma feat. Ellie Goulding, “Hypnotized”</h2>
<p>“Hypnotized” marked a major crossover moment for Anyma, moving him into his most accessible territory yet. Premiere at the Las Vegas Sphere, the track features a high-powered vocal from Ellie Goulding and an infectious, melodic house rhythm that earned the producer his first No. 1 on the Airplay charts. — <em>RACHEL NAROZNIAK</em></p>
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<h2>BLACKPINK, “Jump”</h2>
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<figcaption>Credit: Courtesy of YG Entertainment</figcaption>
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<p>Penned by Diplo, “Jump” is a chaotic, brilliant blend of garage, trance, Jersey Club, and hard techno. It welcomed the K-Pop icons to the club with a barnstorming energy that made their global chart dominance look effortless—a hop, skip, and a jump to the top. — <em>KATIE BAIN</em></p>
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<h2>Fred again.., Skepta & PlaqueBoyMax, “Victory Lap”</h2>
<p>From the *Skepta..Fred* EP, “Victory Lap” is a seismic meeting of electronic music’s most versatile producer and the U.K. grime legend. Flipping a Doechii sample into a menacing dubstep gem, Fred again.. creates the perfect backdrop for Skepta’s blistering bars. It’s a track that remains victorious long after the final beat. — <em>E.R.B.</em></p>
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<h2>Ninajirachi, “iPod Touch”</h2>
<p>Ninajirachi’s “iPod Touch” is a sonic portal to the early days of digital discovery. With its pastel chords and buzzsaw synths, the track captures the feeling of staring out a bus window and daydreaming with your headphones in. It’s a nostalgic, four-on-the-floor march through your best yesterdays. — <em>KATIE BAIN</em></p>
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<h2>Skrillex, “Voltage”</h2>
<p>Skrillex returns to his roots on “Voltage,” a track that feels like a long-lost treasure from the golden age of dubstep. Featuring his signature emo-falsetto vocals and a screeching, wonky drop, the track proves that the spirit of 2010 is still alive and well in the hands of its most famous architect. — <em>KATIE BAIN</em></p>
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<h2>Rochelle Jordan, “Ladida”</h2>
<p>Rochelle Jordan answers her own billboard query with “Ladida,” a standout from her third album. The track is a soulful, rhythmic flex that nods to Crystal Waters while cementing Jordan’s position as a leader in the lineage of Black pop-dance divas. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>Chris Lake & Amber Mark, “In My Head”</h2>
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<figcaption>Credit: Courtesy</figcaption>
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<p>Chris Lake returns to his melodic roots on “In My Head,” a collaboration with R&B singer Amber Mark. The track is a woozy, late-night daydream that captures the delirium of infatuation without sacrificing the club-ready energy that has defined Lake’s career. — <em>KRYSTAL RODRIGUEZ</em></p>
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<h2>FKA twigs, “Perfectly”</h2>
<p>FKA twigs followed her transcendent *Eusexua* album with “Perfectly,” a track driven by a skittering, banging bassline. The lyrics confront perfectionism with a fervor that borders on frenzied inner-dialogue, proving that the state of *eusexua* is an ongoing, evolving process. — <em>A.Y.</em></p>
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<h2>Lady Gaga, “Abracadabra”</h2>
<p>Lady Gaga returned to the dance floor with the dark-pop anthem “Abracadabra.” Premiered during the Grammys, the track felt like a homecoming for Gaga and her "Little Monsters," reclaiming her place as a primary architect of pop-dance culture. — <em>ZEL MCCARTHY</em></p>
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<h2>PinkPantheress, “Illegal”</h2>
<p>In just two and a half minutes, PinkPantheress delivers a propulsive garage banger that defined 2025. “Illegal” features shimmering synths and an earworm hook that went viral on TikTok, proving that her unique brand of "hyper-speed pop" has staying power far beyond social media trends. — <em>E.R.B.</em></p>
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<h2>Disco Lines & Tinashe, “No Broke Boys”</h2>
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<img src="https://www.billboard.com/wp-content/uploads/2025/10/Billboard-Tinashe-Disco-Lines-2025-1548.jpg?w=300" alt="Disco Lines and Tinashe">
<figcaption>Credit: Courtesy of Warner Music Group</figcaption>
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<p>Tinashe and Disco Lines’ "No Broke Boys" was the runaway smash of the year. Built on a bouncy beat and a melody that refuses to leave your head, the track began its life at EDC Las Vegas and eventually became a global Hot 100 crossover hit—the definitive sound of the year. — <em>KATIE BAIN</em></p>
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