The restoration of a classic analog synthesizer sparked the creative fire behind Howard Jones’ latest single, “Stand Up.” This track serves as the inaugural look at his forthcoming studio album, Global Citizen.
Jones revisited his legendary Roland Jupiter-8—the very engine behind iconic hits like “New Song,” “Things Can Only Get Better,” and “What is Love?” Speaking from his home in Somerset, England, the veteran artist shared, “I built the entire track around the unique textures of my favorite synth. My technician in Leeds meticulously restored it, and once I finally had the instrument back in my studio, I was blown away. Modern software simply cannot replicate that organic, tactile depth.”
The recording process proved to be a refreshing return to his roots, focusing on the hands-on manipulation of sounds in real-time. “It was a truly joyful experience to perform the parts live, sculpting the audio as I played,” he added.
The song’s message finds its roots in the 1972 poem “Stand Up, Black Man” by Rev. Jesse Jackson. After reading the piece following the late activist’s passing, Jones felt compelled to channel its themes of self-worth and resilience. “The poem moved me deeply,” Jones notes. “It’s about recognizing the greatness within yourself and refusing to be diminished by others. My music has always explored the human experience—the quest for success, moral clarity, and our purpose in this world. Given today’s global climate, from the concerning rise of populist politics to our environmental challenges, there is unfortunately no shortage of poignant subject matter.”
Global Citizen is slated for a 2027 release, and Jones is treating the project with the gravity of a career capstone. “I’m currently five tracks into the process,” he reveals. “I want to ensure every moment is special; it may even be my final collection of original material.”
While he initially hinted at retirement, Jones—who is celebrating the reissue of his first five albums this week—offered a playful correction. “Perhaps I’m not done yet,” he laughed. “Let’s just say it might be the definitive electronic, synth-driven record of my career. My wife reminded me that I said the same thing about my piano albums, so I’ve learned not to make any permanent promises!”
Before the album arrives, fans can catch Jones live on his “Things Can Only Get Better” tour, kicking off July 19 in Napa, California. Joined by acts like Wang Chung, The English Beat, and Modern English, the 23-date run is an ambitious mini-festival concept. “It’s the most involved production I’ve ever managed,” he explains. “Ensuring every band has exactly what they need to deliver a top-tier performance has been a fascinating experience behind the scenes.”
Reflecting on his signature aesthetic—the vibrant fashion and bold hairstyles that defined his image—Jones admits he has no regrets. “It was a statement of radical authenticity. My philosophy has always been to simply be yourself, because everyone else is already taken. I’m proud of that streak of individuality, and I’m bringing that same energy to this tour. There will be plenty of surprises in store.”
