Revo Seina Fujimura/Billboard Japan
On June 29 and 30, Revo placed on a collection of shows, “Revo’s Orchestra Concerts,” at Hitomi Memorial Hall, in Tokyo’s Showa Women’sUniversity Revo leads 2 teams of musicians: Sound Horizon, which informs initial tales with using music collections and is commemorating the 20th wedding anniversary of its launching this year, and Linked Horizon, which he developed for partnerships and tie-ups with various other jobs, such as the Attack on Titan anime. In this show collection, Revo done items from both teams in addition to a complete band. There were 4 programs over a 2 day duration– 2 throughout the day and 2 during the night. In this post, we’ll be taking a look at the June 30 efficiencies.
The “Revo’s Orchestra Concert” collection offered not just functions by Sound Horizon, however likewise Linked Horizon’s “Guren no Yumiya” and “Akatsuki no Requiem,” from the television anime Attack on Titan, “Onward Into the Light: An Overture,” utilized in Square Enix’s dream RPG FEARLESSLY DEFAULT, “MOON PRIDE,” a Momoiro Clover Z track for which Revo composed the verses and composed and prepared the songs, and extra. It was practically like a retrospective of the most effective items Revo had actually developed over his lengthy job. Conductor Hirofumi Kurita led the 70 participants of the Tokyo Philharmonic Orchestra in an effective efficiency that shared Revo’s sweeping worldview.
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In the very first component of the program, all the items were done completely by the band, other than when Revo took the phase to talk. Toward the center was a conversation in between Revo and a songs movie critic. For the daytime efficiency, he talked with Akihiro Tomita, and during the night he talked withAkimasa Munekata In component 2, visitor vocalists done “Guren no Yumiya,” which Revo himself sang in 2013 on NHK’s 64th Kohaku Uta Gassen The visitor vocalist for the daytime program was SAK., while for the nighttime program it was voice starYui Ishikawa The reveal ended with Revo welcoming visitor entertainers and visitor audio speakers to participate an efficiency of “Sunawachi…Hikari wo mo Nigasanu Ankoku no Chou-juu-ryoku” and “Eikou no Idou Oukoku – The Glory Kingdom.”
Revo uses his symphonic music history in both his Sound Horizon and Linked Horizon items, however with this show collection done completely by a band, these perceptiveness have actually lastly entered maturity, raising assumptions for Revo’s future as an artist. The wonderful joys of “Bravo!” from the target market of followers were a testimony to this.
—This post by Akimasa Munekata initially showed up onBillboard Japan
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