While the internet remains perpetually fascinated by the intricacies of the relationship between Olivia Rodrigo and Taylor Swift, the Gen Z icon has reached a place of quiet acceptance regarding the narrative.

During a candid appearance on the May 28 episode of The New York Times’ podcast, Popcast, Rodrigo addressed the ongoing chatter surrounding her connection to Swift. The discourse began years ago when the “Deja Vu” singer, who once cited Swift as her primary childhood influence, retroactively added the superstar to her songwriting credits. This move sparked intense fan theories suggesting a forced professional rift between the two.

“I simply don’t dwell on it,” Rodrigo remarked regarding the relentless digital sleuthing. “It’s part of the landscape. If I spent my time analyzing every correct or incorrect assumption people made about my private life, I’d lose my mind. There aren’t enough hours in the day.”

The singer also reflected on the vulnerability of being an outspoken fan early in her career. Following her public praise for Swift’s “Cruel Summer” in 2021, the subsequent changes to her own songwriting credits—as well as those for “Good 4 U” involving Paramore—became major points of contention for music enthusiasts.

“I strive not to let it affect me,” she shared. “It feels like a lifetime ago, and there is no benefit in fixating on the past. My focus is on creating music I love and remaining kind and supportive toward others. Ultimately, that is the best path forward.”

Public interest was reignited earlier this year when the two artists were spotted at the same Paul McCartney show in Los Angeles. Additionally, eagle-eyed fans spent much of 2023 analyzing her sophomore album, Guts, for perceived lyrical nods to a falling out. However, any notions of a feud were dampened when Swift was seen enthusiastically singing along during Rodrigo’s Grammy performance of “Vampire.”

Looking back at the “Deja Vu” credit adjustments, which she previously described as confusing, Rodrigo maintains a forward-thinking perspective. “At that time, I was incredibly naive to the industry, but I wouldn’t personally choose to handle things that way now. Still, I can only control my own work.”

As she prepares for the upcoming release of her third studio album, You Seem Pretty Sad for a Girl So in Love, on June 12, Rodrigo feels better equipped to handle the spotlight. She credits the intense media storm surrounding her debut hit, “Drivers License,” with teaching her the necessity of emotional detachment.

“I had to cultivate that distance to stay sane,” she concluded. “It was a profoundly intense experience for everyone involved.”

You can listen to the full Popcast interview above.