New Dance Music Friday: Fresh Tracks from Gesaffelstein, Fred again.., Jessie Ware & More

The electronic music sphere remains as vibrant as ever this week. From the cinematic resonance of the Heated Rivalry soundtrack to John Summit’s highly anticipated residency announcement at Ibiza’s [UNVRS], the momentum is undeniable. Meanwhile, Brooklyn’s nightlife scene welcomes Refuge—a venue built on high-fidelity sound—and Fred again.. continues to blur the lines between music and fine art through his latest collaboration with Boris Acket. As Tomorrowland unveils its 2026 vision and Dom Dolla prepares to take over the historic Old Royal Naval College, we dive into the most essential releases currently defining the genre.

Gesaffelstein, Enter the Gamma (Live)

Following the release of his 2024 studio album Gamma, the French techno visionary Gesaffelstein embarked on a global tour that transformed his minimalist compositions into a visceral, sonorous assault. Enter the Gamma (Live) serves as a definitive document of that tour, capturing the dark, metallic sensuality and overwhelming volume that have become his hallmarks. The album weaves through fan favorites like “Pursuit” and “Hellifornia” before culminating in a fierce, high-octane medley featuring Lady Gaga’s “Killah”—a standout moment that showcases Gesaffelstein’s unrivaled ability to fuse underground grit with pop avant-garde.

Fred again.. & Young Thug, “Scared”

Fred again.. closed out a prolific 2025 with a strategic deluge of singles during his massive 10-city tour. Kicking off the new year, the UK producer returns with “Scared,” a collaborative effort featuring Young Thug. Thug, whose storied history with the dance community dates back to the Jamie xx classic “I Know There’s Gonna Be (Good Times),” provides a melodic anchor to Fred’s emotive production. After a series of enigmatic teasers, the full release delivers a track that is both intimate and club-ready, reinforcing Fred’s reputation for capturing raw human emotion through electronic textures.

Jessie Ware, “I Could Get Used To This”

Jessie Ware continues her reign as the high priestess of sophisticated disco. Her latest offering, “I Could Get Used to This,” is a masterclass in velvet production and orchestral grandeur. Ware describes the track as an immersive portal into her upcoming album—a world defined by romanticism, indulgence, and classical beauty. With her signature soulful vocals gliding over shimmering strings, the song feels like a sun-drenched invitation to a garden of earthly delights, maintaining the exquisite standard set by her previous house-inflected hits.

Dames Brown, Take Me as I Am

Steeped in the rich musical lineage of Detroit, the debut album from Dames Brown is a soul-drenched celebration of Motor City artistry. Dedicated to their late mentor, the legendary Amp Fiddler, Take Me as I Am is a 14-track tapestry that seamlessly integrates disco, gospel, and P-Funk. Featuring contributions from luminaries like Eddie Fowlkes and Waajeed, the project is more than just an album; it is a testament to the sisterhood of Athena Johnson, Teresa Marbury, and LaRae Starr. Released via Defected Records, the LP stands as a vibrant, homegrown gem that captures the authentic spirit of house music.

Apashe, Hymns of Resilience

In a powerful display of artistic solidarity, Belgian producer Apashe has released Hymns of Resilience, a three-track EP dedicated to the people of Ukraine. Featuring Ukrainian vocalist Alina Pash, the project was conceptualized and partially recorded in Kyiv amidst the ongoing conflict. Tracks like “Resistance” and “Kyiv” reflect the stark reality and unwavering strength of the local creative community. Beyond the music, Apashe is using the platform to drive tangible change, with a portion of the EP’s proceeds benefiting Children Heroes, a charity supporting those orphaned by the war. It is a hauntingly beautiful project that balances cinematic intensity with profound human empathy.

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