Taylor Swift Says Nashville Songwriters “Raised Me” During Hall of Fame Induction

Taylor Swift was inducted into the Nashville Songwriters Hall of Fame on Monday night (Oct. 26). In her acceptance speech, she revisited the Music Row writing rooms, publishers and collaborators who shaped her earliest years as a songwriter.

Brad Paisley inducted the 14-time Grammy winner at the organization’s 56th annual gala at Nashville’s Music City Center. Swift opened with a joke about a tour prank that she apparently had not forgotten.

“I’m really surprised to see you here, actually, because we’ve been estranged since 2007,” Swift joked.

She recalled that Paisley filled her tour bus with thousands of live crickets while they were on the road together. “For months, I couldn’t sleep. Just chirp, chirp, chirp, chirp all night,” she remembered, before deciding his introduction had been good enough to let “bygones be bygones.”

Swift then broke the Hall of Fame honor down into three words: Nashville, songwriters and fame.

“I knew from the time I wrote my first song that even if it couldn’t be my career, it would be my passion,” she told the room. “It would be what I centered my entire life around.”

Nashville, she said, was “the place that I went to in my middle school daydreams.” As a young songwriter, she imagined that all of the lessons and wisdom she wanted to acquire existed in one place.

Fame came later, Swift noted.

“Fame, you know, that’s sort of a byproduct of my love for music,” she explained. “It’s kind of like songwriter plus Nashville equals fame.”

That success brought what she described as “daily random doses of chaos.” When life starts to feel strange, Swift returns mentally to her earliest memories of arriving in Nashville, signing a publishing deal at 14 and writing songs every day.

“I was like a sponge,” she joked. “And I had really curly hair and it was yellow, so I kind of looked like a sponge too.”

Those formative years taught her that songwriting is a craft built through repetition.

“I think you truly learn a craft when you do it over and over and over,” she reflected. “And that is what the magnificent songwriters that work in this amazing town do.”

“There is no music community like this music community,” she added. “I know, I checked all the communities.”

Swift also credited Nashville’s writing community with teaching her some of the less glamorous realities of collaboration: how to push through creative blocks, which ideas are worth fighting for and when to let something go.

“I learned how to accommodate when your co-writer has a hangover, or when they’re going to need to talk about their divorce for a really long time before we write anything,” she joked.

Those writers, she said, “in a lot of ways, raised me and guided me through my formative years.”

One memory she described in detail dates to December 2005. Her mother would pick her up from Hendersonville High School and drive her to Jody Williams Music, an independent publisher housed in a small Craftsman-style home. At the front desk was Katherine, whose boyfriend at the time, Swift told the room, was Eric Church.

“Things have gone great for them,” she joked. “They’ve got a couple kids, married like 20 years now. His full name is Eric Church, just for clarity.”

From there, the teenage songwriter would run upstairs to a red-painted room to write with Liz Rose.

“I’d be like, ‘Liz, this happened in school today,’” Swift recalled. “And she’d get her notebook, and we’d just write so fast.”

After those sessions, she would head to a garden shed behind the building, where demo producer Nathan Chapman recorded her songs and played every instrument.

“He interpreted my music so intuitively that later on I would fight for him to produce my entire first album,” she recalled. “And it was our first album, both of us.”

Her self-titled debut album reached its 20th anniversary on Oct. 24, two days before the induction.

The “Love Story” singer also looked back on writing at Nashville’s Sony Fire Hall, where she could hear other songwriters working through the walls.

“I just kind of liked to pretend that I was in the real building,” she told the audience.

Reflecting on the two decades since, Swift credited the foundation she built in Nashville with giving her the freedom to move between genres, collaborators and creative approaches.

“The only reason that I’ve been able to have that kind of dexterity in my creative process is because of the fundamentals and the foundation that I learned here in Nashville,” she said. “And I never forget that for a single second.”

“I’m so incredibly honored to be inducted into this sacred club, especially at this point in my life,” she continued. “It’s not lost on me how crazy this is.”

She closed by describing Nashville as the place that “honed and polished” the part of herself she is most proud of.

“It just feels like one of those amazing Nashville moments I’m going to revisit on a rainy day,” Swift concluded.

Swift was inducted alongside Lyle Lovett, Shawn Camp, Lee Thomas Miller, Bruce Channel and the late J.I. Allison. Lainey Wilson performed a bluegrass rendition of “Love Story,” which peaked at No. 4 on the Billboard Hot 100. George Strait received the Career Maker Award.

Source: Billboard