AIR to Perform ‘Moon Safari’ in Full on Fall North American Tour: ‘This Album Is Like Medicine’
AIR Cherie Hansson
French digital duo AIR will certainly bring target markets to room this loss throughout a North American trip recognizing the 25-year wedding anniversary of their cherished 1998 launching, Moon Safari.
The set, Nicolas Godin and Jean-Benoît Dunckel, will certainly play the cd in its totality throughout the 19-date trip, which begins Sept. 25 in Vancouver and finishes Oct. 30 in Austin, Texas. See the full routine listed below.
Presale tickets take place sale March 7 at 10 a.m. neighborhood time, with basic tickets on sale 10 a.m. neighborhood time on March 8. The trip will certainly strike mostly 2,000- to 5,000-capacity locations and complies with AIR’s present sold-out European trip behind the wedding anniversary. The trip statement complies with last Friday’s launch of a trial variation of Moon Safari‘s “New Stars in the Sky.”
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Released in January 1998, the cd noted a breakout minute for the electronica category and made broad essential praise.
While making it, Godin claims that “my obsession was to do something timeless, so I focused very hard not to put things in the music production that would date the album. And during the process, many times we felt we were visited by something magic, we felt blessed during some takes; and also when I was listening to the radio, I couldn’t figure how people were making hit singles. It was not in my skills so if you can’t make a hit, the best other option is to make a classic.”
“Before we decided to do this tour, we went to a rehearsal room for three days to see if it was technically possible to perform the entire album,” Godin proceeds, “and as soon as we started to play the first notes of ‘Kelly Watch the Stars’ or ‘La Femme d’Argent,’ we had a thrill.”
The trip will certainly not include Moon Safari singer Beth Hirsch, that aided create the cd’s wonderful, attractive environment on “All I Need” and “You Make It Easy.” But Dunckel claims both has “made some arrangements to deliver the soul of these tracks” with their use a vocoder. “I think that the new arrangements are working on stage,” he proceeds. “We feel the singer singing without her singing.”
Reflecting on the cd’s heritage, Godin claims the comforting nature of the cd is an additional factor it’s sustained. “We are extremely blessed to have recorded this music, and to be able to share it with the audience so long after its release is a gift of life for us,” he claims. “In these troubled times, it’s a nice time capsule from the last century when we were more innocent and optimistic.”
“I think this album is a little bit medicinal,” Dunckel includes. “It heals people’s wounds. Like the wounds I had at the time we made it. That’s what melancholic music does to you isn’t it? The melancholia into the music swallows the listener’s melancholia because the musician and the listener are talking to each other as in a therapy conversation or in a dream.”
Of the initial trip behind the cd, Dunckel remembers recognizing the cd “was really working when we toured in the U.S., and in Spain. People were really enjoying the shows and they were so happy to see us for real. I felt it in the audience voices.”
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