For the past two years, we have been building an ensemble in Berlin.
One member is a nascent machine intelligence we have named Spawn. She
is being raised by listening to and learning from her parents, and
those people close to us who come through our home or participate at
our performances.
Spawn can already do quite a few wonderful things. “Godmother” was
generated from her listening to the artworks of her godmother Jlin,
and attempting to reimagine them in her mother’s voice.
This piece of music was generated from silence with no samples, edits,
or overdubs, and trained with the guidance of Spawn’s godfather Jules
LaPlace.
In nurturing collaboration with the enhanced capacities of Spawn, I am
able to create music with my voice that far surpass the physical
limitations of my body.
Going through this process has brought about interesting questions
about the future of music. The advent of sampling raised many concerns
about the ethical use of material created by others, but the era of
machine legible culture accelerates and abstracts that conversation.
Simply through witnessing music, Spawn is already pretty good at
learning to recreate signature composition styles or vocal characters,
and will only get better, sufficient that anyone collaborating with
her might be able to mimic the work of, or communicate through the
voice of, another.
Are we to recoil from these developments, and place limitations on the
ability for non-human entities like Spawn to witness things that we
want to protect? Is permission-less mimicry the logical end point of a
data-driven new musical ecosystem surgically tailored to give people
more of what they like, with less and less emphasis on the provenance,
or identity, of an idea? Or is there a more beautiful, symbiotic, path
of machine/human collaboration, owing to the legacies of pioneers like
George Lewis, that view these developments as an opportunity to
reconsider who we are, and dream up new ways of creating and
organizing accordingly.
I find something hopeful about the roughness of this piece of music.
Amidst a lot of misleading AI hype, it communicates something honest
about the state of this technology; it is still a baby. It is
important to be cautious that we are not raising a monster.